Posted by littlebangtheory in Art and Nature.
Tags: Autumn, barn, beaver pond, Bennington VT, bittersweet, Canon 24-105mm f/4 L US ISM lens, Canon 24mm f3.5L TS-E II lens, Canon 400mm f/5.6 L series lens, Conway MA, deerfield river, Elliot, fall foliage, Gizmo, Hawley MA, Massachusetts, Monroe MA, October, Ollie, Searsburg VT, Vermont, Vt Route 9
More colors from this sub-optimal (but still pretty cool) season.
Locally, some back roads:


A Conway beaver pond:

Bittersweet on a barn in Hawley:

A few Deerfield river shots:



The real color, though, was higher up in the hills. I’d seen The Change coming to Southern Vermont and headed that-a-way, passing through the heights of Rowe, MA on the drive, and stopped off at a seldom-visited beaver pond for a couple of quickies:

I especially liked this shot of orange jelly fungus popping out of a fallen spruce along the pond’s edge:

All of these are from Elliot, bless his little mechanisms.
In Vermont, the best colors were along Route 9 between Searsburg on the east and Bennington on the west:





Of that last bunch, the more expansive views were captured by Ollie, the last two are from Gizmo.
This year, Autumn has been a finicky visitor and seems anxious to be moving on.
Oh well, let her go, I say. Can’t stop her anyway.
I may head farther afield in the next few days, searching for a few last kisses before Bleak November arrives.
Posted by littlebangtheory in Uncategorized.
Tags: Conway MA, deerfield river, sunrise, Tilt/Shift photography
I’m driving through the pinchingly cold pre-dawn air, a house-warmed camera and lenses on the seat beside me, up into the hills of Conway. The eastern horizon cracks, emitting the long, low rays of the day’s first light.
I pull to a stop alongside a working farm, grasping for a piece of the morning’s glory, coming away with only this:

It was better than that, I swear, but my skills are rudimentary and my fingers were going numb.
I raced the rising riot of light to the valley floor, arriving in time to throw Elliot at this scene from the river’s edge, a lace of high-water ice suspended above a low-water dawn:

Tilt/Shift photography benefits from slow breathing and sensitive fingertips, but even lacking half of that equation, it beats sleeping in.