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Der Golem! February 23, 2009

Posted by littlebangtheory in Love and Death, music.
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Here’s something I found interesting on a number of levels.

Firstly, it’s a 1920 black and white film of epic import, directed by Paul Wegener, and representing the pinnacle of German expressionist film making of the day.  The plot is something of a Frankenstein’s monster scenario and involves the persecution of the Jews in 16th century Prague, with Rabbi Loew creating a Golem out of clay to protect His people.  Predictably, the Golem runs amok, wreaking havoc on his creator, until he is subdued by a little girl.

Photographically, this film is amazing for both what it shows and what it implies,  the latter being a hallmark of late-silent-era black and white films and a skill set largely lost in today’s cinematic world.

Secondly, every bit of the sound you’ll hear in this clip was created live on stage in a single take by the amazing Gary Lucas, one of my all-time favorite guitar players.  He honed this piece and took it on tour with the film, earning kudos from critics and guitar monsters alike, and deservedly so; it’s almost incomprehensible that this is a live solo performance.

Anyway, here’s a five minute excerpt (the beginning) of the silent classic, Der Golum, with live accompaniment by Gary Lucas:

If you’re interested in guitar playing, you might want to see what else this guy Gary Lucas can do with one.  Check out this four part 1998 Slovenian documentary series to see.

But really, it’s for serious guitar afficionados, so don’t feel obliged to check it out if that’s not your thing.

Goodnight, Mitch. November 12, 2008

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Mitch Mitchell, an original third of the Jimi Hendrix Experience, has died at the age of 61.  I trust you’ll agree with me that that’s way too young; but I suspect he did quite a bit of living in those 61 years.

Mitchell was my first Drummer Hero, combining the impeccable skills of a consumate jazz master with the power of a Rock Monster and the psychadelic vision of his band mates, Jimi and Noel Redding.  I missed several chances to be Experienced, one of the few regrets in my history as a Child of Rock.

And so it goes.

I’ll let you find some tasty bit on YouTube if you so desire, but choosing a particular performance of Mitch’s would be presumptuous of me.

Let there be a Glorious Noise in Heaven, or at least in Purgatory:  The Experience is at last reunited.

The Ever Growing Constellation. October 21, 2008

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This past Saturday, a warm breeze blew lovingly through State College, PA, and lifted the soul from a giant of the modern musical world.

Dave McKenna, one of the most gifted pianists since Art Tatum, succumbed to lung cancer, joining the pantheon of stars in the musical constellation of history.

I had the great good fortune to see Mr. McKenna play in Carnegie Hall ’round about 1971 or ‘72, taking his solo turn at a Yamaha Grand Piano in a line-up of seven Greats of The Ivories, including the legendary Eubie Blake.

It went something like this:

What a night.

Thanks, Dave.  You’ll be sweetly remembered and greatly missed.

I’m Gettin’ There. September 19, 2008

Posted by littlebangtheory in Politics and Society, music.
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Douche-bags and Dirt-bags running for the Highest Offices in the Land.

Banks closin’, retirement accounts evaporating, mortgages foreclosed on at an unprecedented rate…

But I am not downhearted,

No I’m not discouraged,

But I’m Gettin’ There.

Oh, What A Night! August 31, 2008

Posted by littlebangtheory in Love and Death, music.
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Friday night was opening night for the 2008 Tanglewood Summer Jazz Festival, and despite the threat of rain, I went to see my new musical muse, Edmar Casteñeda:

I posted this clip before, but since he opened the show with this number, here it is again!  :)

To my delight, he was accompanied by the amazing Marshall Gilke on trombone and the equally mind boggling Dave Silliman on drums.  As Frau B would say , “Eeeeeeexcellent!” [rubs hands greedily.]

“But Wait, There’s More…  now how much would you pay?” (Sorry, I was posessed by the spirit of the Kitchen Magician there for a moment!)

Edmar and Co. were joined by Joe Locke, new to me but widely regarded in musicians’ polls as the reigning King of the Vibraphone.  Listen a bit and see if you agree:

Blew.  My.  Mind.  I hadn’t believed anyone would ever dethrone Gary Burton, but I stood corrected, albeit whilst sitting.  In the rain.  Completely oblivious to it.

The show was beautifully rounded out by a jaw-dropping performance by Elaine Elias and her excellent band:

Their set was a tribute to  Bill Evans, whom I had the great privilege to see at Carnegie Hall in the early seventies.  Thank you, Elaine!

It was a perfect night out…  almost.

On the way home, coming down a winding stretch of route 8A in a light drizzle, this Closet Buddhist swerved to avoid a small animal crossing the road, caught my right front wheel in a rain-softened shoulder, and did this:

Seems even my damned car is a tree hugger!  :lol:

I’m OK, but she’s totalled.

I’m taking this as Godde’s way of keeping me from thinking I’m All That for having been blessed with such a memorable night.

So now I’m full-time driving my work van and getting a whopping fifteen miles to the gallon.

Oy!

A Weekend Of Music! July 21, 2008

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Ah, Summer – hot sun, cold beverages, finger food and outdoor music. Throw in some little cotton dresses, and I’m all over that!

…Figuratively speaking, of course ;) !

The Granddaddy of music festivals in these parts is the yearly Green River Festival, featuring an eclectic mix of performers on two stages, a nice selection of fine restaurants representing on-premises, craft vendors and hot air balloon rides (although with those going at $225 per person, I’ve concluded that ballooning is a spectator sport.)

This year’s festival began with a free show in downtown Greenfield on Thursday evening and ran through a scheduled Sunrise Balloon Launch on Sunday. The Pagan Sphinx and I got together with our daughters, Elder Progeny and Ultimate Spawn (or Supergirls 1&2, if you’re you’re a Pagan ) for the Friday evening and Saturday shows, braving an unsettled weather forecast in true New Englander style.

We arrived at Friday’s show a little late (just in time to hear the first act get cut short by a sudden rain squall, which we sat out in the parking lot. Then in we went, getting to see Eilen Jewell:

…Local Gurrrl Made Good, and her excellent band, featuring Jerry Miller on guitar:

Remember when people who looked like that played clarinets and accordions? I do!

But on Friday night, Jerry played the bejeebus outta his red electric, laying down a mix of Texas Swing and good ol’ rock-n-roll and quite effectively stealing the show.

Which was unfortunate for headliner Jimmy Vaughan, who was up next and seriously suffered from the comparison. He put on a helluva show, though:

And sang up a heartfelt storm, for which I have nothing but praise:

We all hoovered vendors’ food, stuff like Elmer’s legendary jambalaya (’twas guuud!), Thai spring rolls and fried whole belly clams (yeah, I know, it’s rabbit food for the next month! :lol: )

Saturday was an epic Summer outing, with the first band starting at 1pm and the last scheduled to wrap it up around 11pm. We got a late start (three-ish,) electing to endure the record heat and humidity for a couple less hours so as to hopefully have some energy left for show-closer Lucinda Williams.

The day was indeed tumultuous, with record crowds sweltering under brooding skies

while the rockin’ music was punctuated by the crackle-and-boom sound of reeeeally close lightning:

Fortunately we got not much more than a couple of brief showers, just enough to bring out a sea of umbrellas and, thankfully, cool things down incrementally. We learned later that the entire area had been ringed by violent, damaging thunderstorms, while our happy expanse of sun cabanas and high voltage wiring was spared.

Pretty cosmic, eh, man??

Anyway, the afternoon was tons of fun! We ate like piggies, with Elder P making good on her stated intention of learning to cook this summer by assembling a delicious Portuguese tuna salad and a spectacularly good batch of salsa; PS brought a variation on her prosciutto and watermelon salad, which was excellent, and I brought chicken quesadillas and guacamole.

Oh yeah, and a big batch of margaritas on ice. ‘Cause I read something about electrolytes being important on hot days ;) .

But as good as the food was, we came for the bands, and every time they started I was up and moving toward the front, drawn to the music, which was as excellent as it was varied. Forro In The Dark took me by surprise, being a standing line-up of guys playing the kind of instruments which might wind their way down a cobbled Columbian back street, including a drum worn around the neck, played on both sides and lacking none of the insistence of a full kit

and a player of flutes and horns who was a total crowd-stopper:

Followed by Crooked Still, a barely categorizable blend of genres melding banjo, fiddle, cello and double bass with gorgeous vocals:

Followed by Los Straight Jackets, a south-of the border surf band with an, um, original sort of stage presence:

Yeah, that’s right, stretch masks. I gotta wonder what they thought about the black tuxes and spandex masks in the 200% humidity which came along with the 95-degree weather. And then to hold this pose

…for a ten minute drum solo… Seriously, some ideas are better on paper. But they tore it up on the twin guitars, kicked my ass really, with a South-of-the-Border Surf Thing happening which was technically brilliant, and still made me sweat!

Then came Mavis Staples, a Living Legend on her Last Leg:

She roared through a set of classic Gospel and R&B numbers before collapsing in a metal folding chair and fanning herself with a program, letting her band take a half-hour solo which I never regretted, ’cause they were great! Seriously, catch this Legend while you can, because nothing lasts forever, even if it’s this good.

Then came the Grand Finale, Lucinda Williams, who refused to stand still for a photo, but totally rocked the house:

Very cool.

And all the while, the hot-air balloons rose and sank in the background, occasionally synchronizing their “blows” in a musically informed light show:

It was a good show, right down to the last ghostly revelers leaving the Second Stage dance tent:

Dinner (And The Opera) With TCR. July 10, 2008

Posted by littlebangtheory in Dinner with TCR, music.
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Yeah, dat’s right – “De Opera.” Youz got a problem wit dat?

I don’t.

I recently scored four tickets to the opera, and boy, it was a doozie – Berlioz’s Les Troyens, a magnus opus of daunting depth and duration, so much so that it was never performed in the composer’s lifetime. Even now it’s considered a “masterwork,” requiring marathon efforts by a full symphony orchestra and a large chorus behind a cast of principals who are expected to not only curl your toes, but to continue doing so long after they’ve died and been burnt to a crisp.

That’s one of the truly magical aspects of opera – if you liked Casandra’s arias, you’re gonna love her Ghost’s big number!

So the Total Gig consisted of two days’ machinations, with Acts One and Two performed on a Saturday night, and Acts Three, Four and Five performed on Sunday Afternoon, all at the truly beautiful Tanglewood, a legendary music venue in The Berkshires and summer home of the Boston Symphony Orchestra, widely regarded as one of the world’s great orchestras.

I don’t sound much like a Native Son of Massachusetts now, do I?

And hey, it gets better:

I had dates!

Yes, that’s plural. Two lovely women shared parts of their weekends with me, and I loved every minute of it.

Saturday’s gift was Elder Progeny, my little-girl-become-a-beautiful-woman, and Sunday’s was Ultimate Spawn, hot on her heels in her irrepressible rise into adulthood.

And the venue was magnificent. Our lawn tickets put us out among the proletariat, where the little children play “tag” amongst the lawn chairs and the blankets, catered spreads adorn fold-out parqué tables and wines whose names I can’t pronounce flow like water:

Bummer, man.

But I hung in, if you know what I mean.

Saturday Night’s performance was jaw dropping, with E. Progeny and me supping on a starter of assorted olives and cheese and a nice baguette, followed by flame-grilled skewers of shrimp and mango, and teriyaki beef with peppers and onions (actually it was the same meal both shows, ’cause I’m lazy like that.) Oh, and I served it over a mahogany rice salad with lots of cool veggies. Came out pretty good. ;)

E.P. distrusts a camera, but allowed Magic Finger™ to take her picture.

Night shows at Tanglewood are spectacular, with the illuminated orchestra glowing like a distant but distinct diorama, and above it, a giant screen detailing the prodigious efforts of soloists, featured musicians, inspired ensemble playing by the string or horn sections, and of course the velvet fist of the inimitable conductor James Levine, who as it turns out was valiantly beginning and ending his summer season with these performances on the eve of surgery to remove an excruciatingly infected kidney.

Thank you, Mr. James Levine. We never knew.

The Boston Symphony Orchestra gets my vote for the best rock band in existence, and as an old rocker, I’m weighing them against the best of the heavyweights. Here’s a poor shot of them kicking my ass:

Friggin’ eh!

The unrivaled heroine of Saturday night was Anna Caterina Antonacci as Cassandra, whose unearthly beauty was eclipsed only by her unearthly voice. I was so enraptured by her performance that I totally forgot to read the supertitles and missed her second-act death by self-immolation, instead pursuing her magnificence into our climax, a knee-weakening ascent into heaven, riding wave after wave of unanticipated ecstasies .

I’m telling you, it was a long ride home in those pants.

Sunday was another beautiful day, defying for a second time the predictions of severe thunder storms and delivering perfect weather for a picnic on The Lawn. My guest was my baby, Ultimate Spawn:

…here gnoshing on bread and olives before the main course, and later endearing herself to me by displaying the genetic predisposition to yumming her way through a desert of fresh fruit and cheese with dark chocolate kisses and a nice Beaujolaise Nouveau:

And yes, drunk from a Ball jar. ‘Cause you know, we’re hicks. ;)

Sunday’s “matinée” performance lacked the singularity of an event happening in the surrounding darkness, instead inspiring me to wander the lawn with camera in hand (which is where almost all of these pictures came from.) The apex of the show was tenor Marcus Haddock’s Aeneas, a Trojan hero who hit a high note which nearly felled the ball jar from my quaking hand.

I’m tellin’ ya, that’s about as close to manwood as I ever wanna come.

So all-in-all it was a great weekend, with food and music and sun and the best company a guy could ask for.

Here’s sharing it with you!

And Now For Something Totally Different: June 24, 2008

Posted by littlebangtheory in music.
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Andean Jazz Harpist Edmar Casteñeda:

Keep your ears peeled for Marshall Gilkes’ trombone feature, he’s got an impressive lip!

With Dave Silliman on percussion.

Put A Lid On It! June 8, 2008

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Spent this evening with my  Bro, diggin’ one of his current favorite bands, the Squirrel Nut Zippers, at the intimate Iron Horse Music Hall.  We ate a light dinner about twenty feet from the stage while these folks took the whole house down!  Katharine Whalen had a cold, but nonetheless kicked our collective asses, while the Zippers’ madcap guitarist had us all screaming.

And the baritone sax player (not the guy in this vid) made a mess of my cool.  Gawd, I love that tool!

So dig it, like I did, only for free.

But I got to dance!

One Of My Favourites May 18, 2008

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(With apologies to Pagan Sphinx)

No, really, she loves this stuff, but I stuck in the British “u” just to see if she’d notice ;)

Yes indeed, a consummate performance by the talented and bizarre Tom Waites to round off your otherwise sane weekend:

Enjoy, or at least develop an insidious twitch.